The excitement around a movie release is supposed to pull people into theaters. But these days, that excitement is turning into disappointment because of rising ticket prices. What once looked like a smart way to earn more is now chasing audiences away.
For big festival films or Stars films, people don’t mind spending a little extra. Fans line up, tickets sell out, and collections look strong. But the same strategy is being forced on every film, no matter how strong or weak the content is. And that’s where the problem begins.
Audience are quick to judge a film. If the movie is good, they return with friends and family. If it’s average or below par, word spreads fast. In such cases, expecting audiences to pay high ticket prices even after the first weekend is unrealistic. Many prefer to wait just a few weeks for the OTT release instead of spending a big amount on a forgettable theater experience.
The bigger issue is that producers are not reducing ticket prices even after knowing the film’s fate. By the time they finally bring them down, it’s too late. The momentum is lost, theaters are empty, and the film crashes at the box office.
The government has not forced anyone to keep higher prices. It’s a voluntary choice. Which means the solution is in the industry’s hands. If producers want films to survive beyond the opening weekend, they must be flexible. High prices may give a temporary boost, but if not handled wisely, they can destroy the long-term run of a movie.
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